Statistical Outlier

Last night I started The Visual Display of Quantitative Information by Edward Tufte, which is excellent.  If you haven’t read it you may know it as the book featuring what I call the ‘Napoleon Graph‘, which Tufte calls the ‘best statistical graph ever drawn.’

But another graph featured in the book is even more interesting.  It’s a tenth, possibly eleventh-century, depiction of the movement of the planets across the zodiac over time, and comes from a commentary on astronomy.  The graph was included in an appendix added by an unknown transcriber of the main work.   It’s not accurate at all—among many problems is the fact that the horizontal axis of any one planet can’t be reconciled with the others—but it was probably intended as a simple schematic for teaching purposes.

What’s really unusual here is that the graph has no known predecessor, and seems to have sprung purely from the imagination of it’s creator.  Medieval writers and artists very rarely deviated from tradition.  Most images, whether of scientific, medical, fictional, or religious subjects, were part of traditional illustrative cycles that had existed since the late classical period.  There was some room for individual artists to maneuver within these tropes, but it was rare for something to appear completely out of the blue.

Not only is the graph unique, but it’s conceptually eight hundred years ahead of its time.  According to Tufte, time-series charts didn’t appear again until the late eighteenth century, when academics and designers began experimenting with a variety of quantitative displays.  And H. Gray Funkhouser, author of A Note on a Tenth Century Graph’ in Osiris (vol. 1, Jan 1936) notes that the use of grids was uncommon even into the 1850s.

You can read Funkhouser’s short piece on the graph here if you have access to JSTOR.  And here’s a larger image.

Links

I’ve been bad about doing link posts the last few weeks.  Things have been a bit hectic around here lately, but they’re starting to calm down, at least until I leave the country on the 18th of September!

— Via Lifehacker: ebook software called GutenMark which formats Project Gutenberg downloads for easier reading.  It’s free and works in Windows, Mac and Linux, but I haven’t tried it yet so I can’t say how well it works.

— Jeremy offers his thoughts on a newly discovered early facsimile copy of the Declaration of Independence.

— Audra shares information and links regarding important Chinese conservation work.

— This week at Bookride, Bastards with Bookshops!  Need I say more?

— On that note, The danger of laughing at your customers, from Signal vs. Noise.

Ministry of Type discusses the Faber Finds imprint, which publishes out of print works on-demand with completely unique cover designs.  It’s an interesting concept, but I can’t say that I like the design; it’s a bit busy for me.

— BibliOdyssey shares the Codex Manesse, a lovely 14th century illuminated work which he describes as perhaps “the quintessential Medieval manuscript.”

The Things I do for Book History

I had a very exciting day: I got to drive to the UK visa application center in Atlanta to surrender my biometric data.  It’s a new policy for the student visas that requires the applicant to provide fingerprints and a digital photo.  I was a bit worried that it was going to be some kind of nightmarish bureaucratic hassle in which I would be shunted between various ques and uncomfortable plastic seats for an hour.  Like the DMV!  Happily, it was exactly the opposite, with no lines and very friendly, efficient staff.  They let me go ahead even though I was a little early, and it was all finished in ten minutes.  The highlight was having my fingerprints done; it’s all digital and they appeared magnified about 1,000 times on the computer screen.  Pretty cool (and a bit creepy.  Oh well.)

And, quite appropriately, here’s one more memorable book cover I just thought of.  I’m kind of surprised EW missed this one when making their list.

Memorable Book Covers

Quillblog points to an Entertainment Weekly piece on 25 classic book covers.  I like some of their choices, but others I’d never seen before.  Or even heard of.  It doesn’t exactly scream ‘classic’ when someone as book-centric as myself has never seen the cover (or did, but didn’t find it at all worth noting).  So I’ve made a short list of covers I’ve found memorable and that I can recall off the top of my head.

*I’d like to list all the designers, but I don’t have time to do the research at the moment.  I might go back and add them later.*

Here are some classics.  The first is probably my favorite book cover of all time.

Does anyone not love Penguin covers, both old and new?  I found this one in a library last year and thought the choice of William Blake for the art was inspired and made the book quite eye-catching.  (I glimpsed it from a few aisles over and just had to walk over to see what it was.)

The following two covers illicited the most curiosity and positive reactions from customers when I worked in a bookstore a few years ago.  They’re simple, but striking enough to stand out on the shelves from across a room.  I especially like the font on Russian Criminal Tattoo.

The following are two recent works whose covers I like a lot.  They’re both sitting on my shelf, waiting somewhat impatiently for me to finish Underworld.  I love the almost 3D look of the Darkmans cover; you want badly to pick it up.  And I know that I’m not in the majority on this, but I really love grafitti, so the Oscar Wao cover appeals to me on multiple levels.

Fun With Fonts

Slate has an interesting piece today by Jason Fagone, called YouType: The strange allure of making your own fonts, about the website FontStruct and the online community of amateur typographers.

If you’re reading this, you’re probably like me, and you have a job in which you stare at a screen all day. And it’s not even your screen. It’s somebody else’s pixels and windows and letters. Make a font and you start to screw with the scenery—the banal yet elemental DNA of your daily existence. It’s as if you could design and build your own subway turnstile or change the color of a Starbucks cup from off-white to fuchsia. Here’s a program that lets you commit a small, safe, infinitesimally subversive act and then share it with the world.

I visited the page of one of the fonts Fagone mentions in the piece, WPA Gothic. I, too, have a soft spot for the graphic arts of the 30s and 40s, so this one really appeals to me. The font creator also links to the wonderful WPA book poster that inspired the font:

More WPA posters are available at the Library of Congress website.